Shots

We started our film with the psychologist walking down a long corridor with an establishing shot. We did this to establish the character and the scene. This will then led to the match on action to Emily's face with an extreme close up. This provides an intimacy with her character and the audience and shows that these two characters will be linked. The camera then flicks back to the psychologist walking round the corner then another shot of the psychologist opening the door. We did this to break up the walking down the corridor to make it more interesting and build the tension. We had another match on action to Emily's face turning in an eye line match when she hears me by the door. This creates suspense and further shows the audience these two characters will be directly linked with each other. The next shot is a close up of the door being opened then a long shot of the psychologist walking through the door. This further creates suspense as the audience is waiting on tender hooks for the door to open and find out what it is all about. The psychologist sits down and we used a shot, reverse shot for the conversation. The final shot is an over the shoulder shot of Emily talking. We wanted to keep these shots simple but still interesting so the audience could focus on the conversation. Emily and Rosie